MusiqueCeltiqueV1, Main, Exploration, bibRecord, 000496

James Beattie and the Ethics of Music

Identifieur interne : 000496 ( Main/Exploration ); précédent : 000495; suivant : 000497

James Beattie and the Ethics of Music

Auteurs : Catherine Jones

Source :

Journal for Eighteenth‐Century Studies [ 1754-0194 ] ; 2007-03.

RBID : ISTEX:4F1C4112830D0239AD1B1B9326D1C0EB99C6049D

Descripteurs français

Wicri :
- topic : Beaux-arts.

English descriptors

KwdEn :
- Aberdeen, Agreeable effect, Alexander gerard, Ancient energy, Ancient greece, Auditory experience, Avison, Bard, Beattie, Catherine jones, Charles avison, Charles essay, Cognitive structures, Comparative view, Complete poems, Correspondence ofjames beattie, Correspondence oflames beattie, Definite answer, Determinate emotions, Direct influence, Dowager lady forbes, Edinburgh, Edinburgh magazine, Edward lippman, Eighteenth century, Eolian harp, Ethical dimension, Ethical value, Ethics ofmusic, Fine arts, Fundamental principles, Good picture, Gregory, Harp, Hermit, Instrumental music, Italian music, James beattie, John gregory, Leith davis, Literary criticism, Marischal college, Matthew pilkington, Medieval minstrelsy, Minstrel, Modern music, Musical composition, Musical experience, Musical expression, Musical sensibility, Musical society, Musical tones, National music, Natural sound, Nervous system, Northern climate, Oflames, Ofthe animal world, Penelope gouk, Philosophical society, Pierre dubois, Poetry andmusic, Real emotion, Robert arbuthnot, Rough roistering, Same time, Scottish song, Several occasions, Subsequent references, Therapeutic effects, Thomas percy, Vocal music, William forbes, William laing, William mason, Wise club, Writings oflames beattie.
Teeft :
- Aberdeen, Agreeable effect, Alexander gerard, Ancient energy, Ancient greece, Auditory experience, Avison, Bard, Beattie, Catherine jones, Charles avison, Charles essay, Cognitive structures, Comparative view, Complete poems, Correspondence ofjames beattie, Correspondence oflames beattie, Definite answer, Determinate emotions, Direct influence, Dowager lady forbes, Edinburgh, Edinburgh magazine, Edward lippman, Eighteenth century, Eolian harp, Ethical dimension, Ethical value, Ethics ofmusic, Fine arts, Fundamental principles, Good picture, Gregory, Harp, Hermit, Instrumental music, Italian music, James beattie, John gregory, Leith davis, Literary criticism, Marischal college, Matthew pilkington, Medieval minstrelsy, Minstrel, Modern music, Musical composition, Musical experience, Musical expression, Musical sensibility, Musical society, Musical tones, National music, Natural sound, Nervous system, Northern climate, Oflames, Ofthe animal world, Penelope gouk, Philosophical society, Pierre dubois, Poetry andmusic, Real emotion, Robert arbuthnot, Rough roistering, Same time, Scottish song, Several occasions, Subsequent references, Therapeutic effects, Thomas percy, Vocal music, William forbes, William laing, William mason, Wise club, Writings oflames beattie.

Url:

https://api.istex.fr/document/4F1C4112830D0239AD1B1B9326D1C0EB99C6049D/fulltext/pdf

DOI: 10.1111/j.1754-0208.2007.tb00325.x

Affiliations:

Links toward previous steps (curation, corpus...)

to stream Istex, to step Corpus: 000003
to stream Istex, to step Curation: 000003
to stream Istex, to step Checkpoint: 000317
to stream Main, to step Merge: 000496
to stream Main, to step Curation: 000496

Le document en format XML

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<term>Northern climate</term>
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<term>Ofthe animal world</term>
<term>Penelope gouk</term>
<term>Philosophical society</term>
<term>Pierre dubois</term>
<term>Poetry andmusic</term>
<term>Real emotion</term>
<term>Robert arbuthnot</term>
<term>Rough roistering</term>
<term>Same time</term>
<term>Scottish song</term>
<term>Several occasions</term>
<term>Subsequent references</term>
<term>Therapeutic effects</term>
<term>Thomas percy</term>
<term>Vocal music</term>
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<term>Charles avison</term>
<term>Charles essay</term>
<term>Cognitive structures</term>
<term>Comparative view</term>
<term>Complete poems</term>
<term>Correspondence ofjames beattie</term>
<term>Correspondence oflames beattie</term>
<term>Definite answer</term>
<term>Determinate emotions</term>
<term>Direct influence</term>
<term>Dowager lady forbes</term>
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<term>Edinburgh magazine</term>
<term>Edward lippman</term>
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<term>Eolian harp</term>
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<term>Ethical value</term>
<term>Ethics ofmusic</term>
<term>Fine arts</term>
<term>Fundamental principles</term>
<term>Good picture</term>
<term>Gregory</term>
<term>Harp</term>
<term>Hermit</term>
<term>Instrumental music</term>
<term>Italian music</term>
<term>James beattie</term>
<term>John gregory</term>
<term>Leith davis</term>
<term>Literary criticism</term>
<term>Marischal college</term>
<term>Matthew pilkington</term>
<term>Medieval minstrelsy</term>
<term>Minstrel</term>
<term>Modern music</term>
<term>Musical composition</term>
<term>Musical experience</term>
<term>Musical expression</term>
<term>Musical sensibility</term>
<term>Musical society</term>
<term>Musical tones</term>
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<term>Natural sound</term>
<term>Nervous system</term>
<term>Northern climate</term>
<term>Oflames</term>
<term>Ofthe animal world</term>
<term>Penelope gouk</term>
<term>Philosophical society</term>
<term>Pierre dubois</term>
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<term>Rough roistering</term>
<term>Same time</term>
<term>Scottish song</term>
<term>Several occasions</term>
<term>Subsequent references</term>
<term>Therapeutic effects</term>
<term>Thomas percy</term>
<term>Vocal music</term>
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<term>William laing</term>
<term>William mason</term>
<term>Wise club</term>
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James Beattie and the Ethics of Music

James Beattie and the Ethics of Music

Source :

Descripteurs français

English descriptors

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri